Tag Archives: Monumenta

Making Light of Art: Paris

25 May

Luminous Disks: Daniel Buren’s installation at Monumenta 2012 in Paris. (Image by HWL)

First impressions of Daniel Buren‘s Excentrique(s) Travail In Situ installation at the Grand Palais for the annual Monumenta show were ho-hum. The whole set up felt a little bit …well…crafty…and not in a good way. (We might define ‘bad crafty’ as, say, a pointless box given a decoupage make-over using left-over magazines from a doctor’s office, and not in an ironic way.)

Coloured spheres: Monumenta in Paris. (Image by HWL)

The artist who has, ahem, earned his stripes creating site specific art work, such as the Les Deux Plateaux in Palais-Royal, Paris, has created a false ceiling of transparent, umbrella-like disks that form a sub-level beneath the glass roof of the Grand Palais. The effect is immediately frustrating – the visitor is largely robbed of one of the venue’s best features – a superb sense of space, both vast and grandiose.  The summer show is not called Monumenta for nothing – last year’s installation, Leviathan, by Anish Kapoor was a hella whopper and the better for it. In contrast, Buren’s work feels bitsy, fussy, and a little bit twee; and then the sun came out.

The cellophane effect: Daniel Buren at the Grand Palais, Paris. (Image by HWL)

With the lights on, so to speak, the show went from being pretty naff to being kind of fun.The 377 coloured disks create a kaleidoscope that reflect and play with the light pouring from the roof-top.  In this case, Buren has created something of an Alice-in-Wonderland effect; we find ourselves to be miniature pieces inside the kaleidoscope. Moving through the work creates new vistas and interactions with forms, colour and shadow.

Light Dancers: coloured disks reminiscent of crazy casino carpet; there’s no clocks here either so you’ll have to tell the time by the sun. (Image by HWL)

In many ways, it’s a cheap trick. In other ways, it’s a reminder that simple ideas can be the best ones. Pity about those trademark stripey pillars  – they feel clunky and out of place in this ballroom of light. Our tip: go when the sun is shining. Exhibition runs until June 21, 2012. For details see here.

Grand Palais: Daniel Buren’s coloured spheres mushroom below the vast canopy of the Grand Palais in Paris. (Image by HWL)

Blow up! Anish Kapoor in Paris

1 Jun

subterranean & visceral: interior of Anish Kapoor's Leviathan (Image: HWL)

British sculptor Anish Kapoor does ‘big’ very well, but his latest work Leviathan for the Monumenta exhibition in Paris shows what happens when you cross an artist with the concept of ‘humongous’. Held in the beautiful glass-roofed Grand Palais every two years, the ‘Monumenta’ exhibition is built around the idea of big is better. Every year they hand the keys – and 13,500 m² of exhibition space – to an artist and say: ‘Enjoy yourself.’

A balloon: from little things big things grow (Image: © Anish Kapoor/Monumenta)

Taking shape.... (Image: © Anish Kapoor/Monumenta)

In previous year’s we’ve been lucky enough to see German artist Anselm Kiefer who combined paintings with concrete-like bunkers and crumbling structures which gave the visitor a sense of crawling through a post-apocalyptic landscape, later we saw Richard Serra (video featuring our experience here). But Kapoor is the biggest bang of them all, he’s the explosion that had to happen, from here, people may do better, but I doubt they can do bigger.

Kapoor himself, describes the work in the Monumenta exhibition material as: “A single object, a single form, a single colour… My ambition is to create a space within a space that responds to the height and luminosity of the Nave at the Grand Palais. Visitors will be invited to walk inside the work, to immerse themselves in colour, and it will, I hope, be a contemplative and poetic experience.”

The big dream takes shape (Image: © Anish Kapoor/Monumenta)

The dream takes off! (Image: © Anish Kapoor/Monumenta)

The work, dedicated by Kapoor to missing Chinese artist Ai Weiwei, can also lay claim to the most fantastical piece of inflated PVC ever imagined. Technically speaking it combines the lines and strength of nautical engineering with the fancifulness of haute-couture millinery (not to mention the playful simplicity of a balloon). Intense, other worldly, playful, surreal, inaccessible yet encompassing, Kapoor has put on a show that somehow references a sea monster and the gates of hell, but could just as well apply to the womb of Mother Earth: mysterious, primal, wonderful, dangerous. Monumental.

The show, which also features evening talks and musical performances ends June 23 2011 – catch it if you can. A briliant excuse to head to Paris this spring. Practical info here.

Strange openings, Anish Kapoor's Leviathan, Monumenta 2011 (Image: HWL)

We were in two minds about running photos of the exterior, because we don’t want to spoil the surprise, but then I came across this shot by Yohanzerdoun on flickr, which hints at the weirdness to come without giving the whole story away, so I embedded from his photo stream – if you’d like to see more of his pics, click here.

Leviathan by Anish Kapoor, Paris (Image: © Yohan Zion Zerdoun)

Perfect Day in: Paris

27 Jun

So, we made a little home movie about our idea of the Perfect Day in Paris… It’s not very practical in orientation, so I’ll create another post listing our favourite addresses further down the track….

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