Tag Archives: modernism

Space Age Alpine Hut in Paris

16 Aug

This futuristic Apline hut designed by Perriand & Jeanneret in 1938 contrasts with La Grand Palais. An exhibition of Perriand's work is on display at the Petite Palais. (Image by HWL)

Perched to the side of the misnamed Petite Palais in Paris, is the unlikely sight of a silver, dodecagon Apine Refuge hut. This 12-sided little edifice was built 72 years after it was first designed by modernist architects Charlotte Perriand and collaborator Pierre Jeanneret, the less famous cousin and business partner of the Swiss architect Le Corbusier (real name: Charles-Édouard Jeanneret). The structure was initially designed in 1938 and dovetailed with a growing interest in Apline tourism and Perriand’s own passion for the great outdoors. Alas, WWII put a stop to many things, including quirky architectural pop-ups like this one.

Architect's model for the mountain refuge which took inspiration from a Croatian 'menage'. (Photos by Charlotte Perriand.)

The Refuge Tonneau proposed various advantages over the traditionally log cabin. The structure weighs 40 kilos and can be assembled within three days – weight and time efficiency are definite pluses in the context of high-altitude construction. It’s also fire resistant, wind resistant and the aluminium cladding reflects sun/snow glare, reducing inside temperatures on sunny days. Although only 8sqm, this particular model sleeps 8-10 Aplinists, eight upstairs, with another two in the living area if required. (Modernist trademarks such as built-in/fold away furnishings assist in the hut’s transformation.) A larger version of the refuge was designed to accommodate up to 32 people providing they arrange themselves in a circle, sleeping with their heads to the exterior wall and feet facing inwards. (We’ve seen similarily space efficient sleeping arrangements on South American beaches with hammocks swung around a central pillar.)

'Honey, I'm home!' Good times were imagined chez Refuge Tonneau. (Image by Charlotte Perriand.)

This model was constructed as a student project in Thônes by ARTE (Art Contemporaines in Thônes) and the University of Technology in Annecy, using materials and building techniques of the 1940s. What it’s doing outside the front of the Petite Palais was unclear to me until a google search revealed that there’s an exhibition of Charlotte Perriand’s work inside.

Perriand may not be as well known as Le Corbusier (gender relations at the time help explain why) but she’s credited with the prototype designs for the ultra-modern kitchens in Unité d’Habitation in Marseilles; she also co-designed iconic furnishings such as the LC2 Grand Confort and the B306 Chaise Longue.

Seen in the context of some of Paris’ grandest buildings, it a truly graphic illustration of the radicalism – and modesty – of modernist architecture. Add the exhibition to your hit list for ‘Things to Do in Paris’ this summer. Charlotte Perriand 1903-1999 until September 18, 2011.

Architect & designer Charlotte Perriand, demonstrates the modernist chaise-longue.

Villa Savoye: Corbusier’s Le Weekender

17 Jan
View of terrace & living room (photo: Pascal Lemaitre)

Just an hour from Paris you’ll find a most photogenic masterpiece of the international style: Villa Savoye. The ‘box in the air’ was designed by the Swiss-born architect Le Corbusier and built between 1928 and 1931 for his wealthy and forward-thinking clients, the Savoye family. The house is both a manifestation and articulation of the architect’s Five Points of Architecture ‘manifesto’ to combine stilts, a free-floating facade, open-plan interiors, horizontal windows and a roof-top garden. (Why elements such as ‘stilts’ require an actual ‘manifesto’ is bemusing to us, but these were back in the days when manifesto-writing was all the rage.) The 80-year-old country house with a startlingly contemporary feel is lauded by architecture fans who are willing to brave the RER suburban train line for a distinctly un-scenic pilgrimage to this modernist icon. The day we visited it was popular with a tour group of enthusiastic Chinese students (each of whom averaged 200 photos during the visit, admittedly, some of our party managed about the same). However, if your visit doesn’t coincide with a tour, you can expect to have the house pretty much to yourself.

'the box in the air' (photo: Pascal Lemaître)

The lines of the house are as achingly pure and beautiful as they always were – as Le Corbusier said, “the house sits on the grass like an object, without disturbing anything’. The fact that it survived the German occupation during WWII, decades of neglect and some really great parties by French youth groups during the 1960’s is testimony to both the integrity of the design and solidity of the materials. At one point, the Villa Savoye was nearly in ruins, and it’s great that it’s been pulled back from the void and opened to the public. Of course, it’s not in perfect nick – it is in need of maintenance and perhaps a greater degree of diligence with some cleaning materials. (Hint, hint.) On the upside, as a visitor you are free to roam around as you like, test out the rather worn Le Corbusier furnishings and fantasize about hiring it for your next do. (Those built-in outdoor tables are perfect for DJ decks.)

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Modernist & tweedy: University House in Canberra

11 Jan

elegant fountain at University House hotel, Canberra (© Alan Benson)

Like Brasilia, Canberra was a purpose-designed capital city but it is generally underappreciated as a hotspot for modernist and brutalist architecture. The modernist University House hotel is a great place to start soaking up the atmosphere of architects Walter & Marion Burley Griffin’s ideal city. We’d guess that most tourists who stay here arrive by accident; it largely attracts repeat and academic visitors who like the genteel atmosphere and rubbing (tweed-clad) shoulders with spunky post-grads over cut-price drinks at Friday happy hour. (Cheese and nibbles, anyone?)

Canberra's most academic hotel: University House (Image by HWL)

Designed in the late 1940s University House was originally constructed to provide housing for unmarried professors at the Australian National University (aka the ANU) and it’s now considered an outstanding example of Australian modernism. In recent times it opened its doors to the public and now operates as a hotel, as well as providing accomodation to academic residents.The hotel has retained its original parquetry, terrazzo floors, simple timber furnishings designed by Fred Ward and art work by the likes of Leonard French (who designed the enormous glass ceiling at the National Gallery of Victoria in Melbourne). It was designed as a faculty club and it retains a sleepy ambiance left-over from a time when the role of universities was to educate, not turn a profit. (What a quaint notion.)
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