Tag Archives: canberra

‘Belco Pride’: suburban soul in Canberra

11 Mar

“Belco’s a hole…. but it’s our hole.” Australian photographer Lee Grant spoke to us about art, Canberra and the seduction of suburbia in the lead-up to her new show, ‘Belco Pride’, named for the northern Canberra suburb of Belconnen. (Event link here).


Nathan & Mac (image © Lee Grant)

Alisha+Saul (image © Lee Grant)

HWL: What is it about Canberra suburbia that fascinates and inspires you?
Lee: I had my family quite young which put the brakes on globetrotting somewhat… being housebound, I started to look more closely at my own surroundings. It’s actually pretty exotic if you look at it more carefully. My relationship with suburbia has always been slightly conflicted, by re-engaging with it through photography I have been able to find a measure of peace about where I grew up. One realisation I’ve had is that being a suburban pleb can actually be a joyful experience, because all aspects of that life is about the ‘local’… about community and a sense of belonging and place within that community. Years ago I’d travelled all over the world looking for that only to have found it here – at home – in the very last place I would ever have imagined!

HWL: Artists typically take a cynical view of suburbia, tell us about your series ‘Belco pride’
Lee: I get [the (the bleak/depressing view] on some level, but I’m also a little sick of it. I’m overall quite a positive person and I just found that the more I looked the stranger and more wonderful things became – there was an exoticness about suburbia – an element of fun and surprise but also woeful beauty.

My idea ultimately with the Belco work was about being a part of this community. . . It’s also about the idea that, even if you don’t realise it, where you grow up deeply shapes who you become, even if you manage to escape. So whilst this was a personally cathartic project in many ways, I think it does speak of broader themes about the human condition and about identity.

'Belco Pride' (Image © Lee Grant)

HWL: “Belco’s a hole…. but it’s our hole.” LOL! Where does this quote come from?
Lee: I found this whilst researching Belconnen’s indigenous history.  I tend to surf around a bit as you do when online and ended up on the unofficial Bebo site for Belconnen High School Year 10 students. Totally hilarious – it really spoke to me and seemed the perfect byline for the project really, especially in terms of ‘pride’.

the Duot family, Canberra (image © Lee Grant)

For many Canberra is synonymous with white-Anglo Saxon middle class public servants. As a photographer turning your lens on the city, do you find this to be fair or true?
Lee: Yes and no. It has the veneer of being middle class white Anglo (which in fact it used to be like, especially in Belco) but in reality it’s far from that these days. Pretty much all of my work is made in Canberra and as you can see, there is a good mix, these days. That’s not to say however that there aren’t still problems of racism and discrimination. There is, but overall people seem to much more accepting of migrant communities than when I was a kid.

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Space Invaders: 10 years of Australian Street Art

21 Feb
Vexta - 'Welcome to Australia', NGA

'Welcome to Australia', by Vexta (2010 Print Stencil, NGA)

After a timid start in the late 1970s, a unique brand of Australian street art emerged in the mid 1990’s – mostly around Melbourne, where the combination of cheap rent, a grassroots creative community, and semi-industrial suburban landscapes provided the perfect canvas for a diverse mix of graf, stencils and paste-up artists.

A particular breed of Australian humour & irony mixed seamlessly with the medium. With hindsight, we can see (ironically enough) that the street art scene thrived under the rule of John Howard’s right-wing Federal government, when political messages took on a particular potency and urgency and street art seemed like the perfect medium to voice a counter-viewpoint. The government’s policies against migrants, refugees, Aboriginals, gays, the environment and other soft targets fostered a rage among the creative classes that perhaps contributed to an outpouring of witty and poignant work by the likes of street artists such as Vexta (see her brilliant, original ‘Welcome to Australia‘ piece which she recreated below for the NGA exhibition that will tour Melbourne later this year, above). Meek and Ha-ha whose tag was ubiquitous in the inner-city bohemian enclave of Fitzroy, were also strong on social commentary. Continue reading 

Perfect Day in Canberra: with photographer Lee Grant

7 Feb

Fog sculpture by Fujiko Nakaya (1976), sculpture garden, National Gallery of Australia in Canberra (Image by HWL)

LEE’S PERFECT DAY IN CANBERRA

LEE GRANT: is a Canberra-based photographer and founder and co-curator of the online gallery, Light Journeys: Women Working in Australian Photography. Her work has been shown in Australian galleries including the National Portrait Gallery, Canberra, the Australian Centre of Photography, Sydney and Monash Gallery of Art in Melbourne. Lee lives in Fraser, Belconnen, with her two children, Charlie and Pia, and their dog Zeke. Her recent exhibition, ‘Belco Pride’ documented community in her hometown, here she gives us her personal Canberra itinerary.

Suburban hedge, Canberra (image © Lee Grant)

Take a walk along Ginninderra Creek – historically fascinating and you can take your dog. (Ed– Or borrow one!)

Check out some art at the National Gallery of Australia (I work there  and I really love the collection, it’s really become a world-class gallery) and Canberra Contemporary Art Space.

Photographer’s to keep an eye out for: Sean Davey (recently returned to Canberra) and David Hempenstall who just moved to Canberra. Both are with the collective Brokenbench. Also, Marzena Wasikowska does some really beautiful work (we featured her on Light Journeys a little while back).

Have dinner at Milk and Honey in Civic, which has pretty yummy food and a nice feel to the place. It does get busy though, so try and get the nooky corner up the back with a good bottle of wine and some great company and you won’t really notice if the waiter forgets about you.

'Belco Pride' by Lee Grant

Drinks: after dinner, you can revisit the site of Lee’s s misspent youth at the rambunctious Phoenix Pub, also in Civic, and still going strong.

Any photography tips for people visiting Canberra?: Um no, just check your preconceived baggage about what Canberra is like at the border! ;)

****
Click here to read about Lee’s ‘Belco Pride’ exhibition

Click here for our recommended hotel in Canberra

Modernist & tweedy: University House in Canberra

11 Jan

elegant fountain at University House hotel, Canberra (© Alan Benson)

Like Brasilia, Canberra was a purpose-designed capital city but it is generally underappreciated as a hotspot for modernist and brutalist architecture. The modernist University House hotel is a great place to start soaking up the atmosphere of architects Walter & Marion Burley Griffin’s ideal city. We’d guess that most tourists who stay here arrive by accident; it largely attracts repeat and academic visitors who like the genteel atmosphere and rubbing (tweed-clad) shoulders with spunky post-grads over cut-price drinks at Friday happy hour. (Cheese and nibbles, anyone?)

Canberra's most academic hotel: University House (Image by HWL)

Designed in the late 1940s University House was originally constructed to provide housing for unmarried professors at the Australian National University (aka the ANU) and it’s now considered an outstanding example of Australian modernism. In recent times it opened its doors to the public and now operates as a hotel, as well as providing accomodation to academic residents.The hotel has retained its original parquetry, terrazzo floors, simple timber furnishings designed by Fred Ward and art work by the likes of Leonard French (who designed the enormous glass ceiling at the National Gallery of Victoria in Melbourne). It was designed as a faculty club and it retains a sleepy ambiance left-over from a time when the role of universities was to educate, not turn a profit. (What a quaint notion.)
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