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Get Religion: Stay @ Le Corbusier’s La Tourette

27 Sep

La Tourette, the monastery designed by Le Corbusier near Lyon in France, offers design fanatics a chance to experience his architectural theories in a spiritual context, without having to take radical vows of chastity and poverty. At La Tourette, guests are welcome to book themselves into a cell for a night – or longer – for a unique and thrifty taste of Modernism with a splash of Catholicism (or the other way around, according to your tastes).

It's quite something: the crypt at La Tourette by the architect Le Corbusier (image by HWL)

Bearing Le Corbusier’s design trademarks – stilts, a free-floating facade, horizontal windows and a roof-top garden – the concrete structure is grouped around an internal courtyard in the manner of a traditional monastery. Within its walls is a series of interconnected spaces, providing its inhabitants with the opportunity for personal, community and spiritual life; the three pillars of human life. Commissioned by the Dominicans and built between 1956 and 1960, the building was designed to house both novices – who spent several years at the convent – and friars who were life-long inhabitants. Today it also welcomes visitors, such as Le Corbusier fans!

It's complicated: courtyard at Le Corbusier's La Tourette (Image by HWL)

Le Corbusier developed a building scale based on what was then the average size of the average French man – 1.75 metres (5ft8″); but noting that  the ‘hero’ in American movies and books of the time, was invariably described as ‘6ft tall’ (1.88m) – he created a secondary, more ‘heroic’ scale that could be applied to international or big budget projects. At La Tourette visitors are housed in the novice cells based on the 1.75cm scale. (The friar’s rooms are based on the larger scale to accommodate the few more modest possessions they may accumulate over the course of their lifetime.)

Interior life & exterior world, desk & personal balcony @ La Tourette (Image by HWL)

By contemporary standards, the cells are small and basic, but they are also cosy and efficient. This is the kind of set-up Virginia Woolf was probably imagining when she wrote about having A Room of One’s Own. Each compact room contains four distinct spaces delineated by its unique light source and activity: an entry with hand-basin and clothes storage; a bed with reading light; a desk with chair; and a private balcony with a little nook for candles etc. At opposite ends of the room are louvres to enable cross ventilation. Pared down to its essentials this modest room enables the full gamut of a monk’s day-to-day living: rest, reflection, privacy and contact with the outdoors. This is real minimalism minus the chichi price tag.

The hallways circulating the living space are designed to accommodate meditational pacing. Small blocks of strategically placed concrete, and ‘concrete flowers’ that obscure the windows at the end of the corridor, enable light to enter but block external views; this allows the thinker to walk without having their thoughts interrupted by the view. The end windows are positioned off-centre to draw walkers (who subconsciously follow their axis) to orient themselves closer to the internal courtyard and away from the living cells, thus assisting with noise and privacy. As our guide said, “It’s not symmetrical, but it is balanced.”

Le Corbusier's La Tourette: hall leading to chapel (image by HWL)

Staying at the Convent: From an accommodation perspective, the Convent’s sleeping arrangements are evidently basic: each cell is equipped with bed linen, a blanket and a single bed. (You do have to make your own bed and no, you cannot share it.). It’s no thrills, but it’s clean and somehow pleasing. Showers and toilets are taken in a communal ablutions room – one for men another for women. Meals are taken in the large communal dining room with beautiful verdant views through windows that were designed in conjunction with the mathematically-minded composer Xenakis. The building is heated but we suspect it could be brisk in the cooler months.

Le Corbusier's La Tourette: dining rm windows inspired by Xenakis (Image by HWL)

This is supposed to be a place of spiritual and intellectual reflection so there is a rule of silence throughout the convent. However, the hard concrete surfaces and old-fashioned door sealants mean that the convent is far from sound-proof and with some visitors going to bed at midnight and others getting up at 6am, and couples accustomed to sharing a room, whispering urgently to each other through their cell doors “Have you got the toothpaste!?”…well, it’s not exactly silent. (For the sake of your own peace and others, it’s best to leave small children at home). Despite all that, the intention of silence was enough to create a meditative atmosphere and after 24 hours of quiet and a good walk in the adjoining forest we felt calm and refreshed.

Le Corbusier's La Tourette: chapel with Miro-esque skylights (Image by HWL)

The crowd: there are three main groups: the actual residents, the Friars; groups, such as volunteer gardeners preening the grounds, or writers attending a workshop; and tourists – primarily of the archi-fanatic variety and easily spotted by their trademark hipster glasses and manic photo taking! Dining tables are organised according to the purpose of your visit – a group of unwitting Japanese tourists created quite a stir among the grey-haired green-thumbs by going free-style and accidentally breakfasting at the Gardener’s table.

Le Corbusier's La Tourette: meditative strolls in the forest (Image by HWL)

Perks: First up, don’t miss the guided tour! Also, we don’t want to over-hype it, but the church at La Tourette is something really special, make sure you enter it from inside the monastery so you get the full effect (i.e: not from the external side door that takes you directly into the church). If you take the tour you can also access the magical Crypt. We were amused to see that Le Corbusier wasn’t satisfied with merely designing the entire building; he also felt compelled to sign his hand-drawn crucifixes. (Not that he had an ego issue or anything.) The smaller chapel with its avant garde fluorescent lights is also delightful. Note that the tours are open to everyone – you don’t have to be a guest.

Autographed crucifix anyone? The Crypt at La Tourette (Image by HWL)

Tariffs: €35 per night, per person with breakfast. You can also have diner there, but you will need to pre-order at the time of the booking or significantly in advance. Alternatively, come prepared to picnic on the grounds. Failing that, Lyon is a half an hour drive away, or you can eat at the neighbouring villages such as L’Arbresle.

The ominously named Hotel Terminus (Place de la Gare, in L’Arbresle) has some retro charm, we enjoyed the trout with almond sauce, but locals were raving about the house speciality: frogs. We were also recommended the cute-as-a-button Le Capucin in an old, quaint part of town.

Booking: if La Tourette’s official website is still under construction, you’ll find them listed on the Dominicians site here. Practical information is listed here. Note, there is a train that connects from Lyon, but the walk to the monastery from the station is definitely uphill and there are no taxis, not advised for non-minimalist packers.

Alternatives: If you’d like to visit Couvent de La Tourette, but not to sleep there, we can suggest the following alternatives in nearby Lyon: the quirky and cosy College Hotel which has a slightly scholastic meets gentlemen’s club feel. If you haven’t had enough architecture, you can try Renzo Piano in a slightly corporate mood at Hotel de la Cité. If you feel the need for sumptuous digs fit for a Pope, book yourself into Cour des Loges.

Sleeping with Le Corbusier: you might also like our story about Hotel Le Corbusier in Marseilles.

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Escapade in Puglia, Italy

27 Jul

Double room, at Masseria Don Cirillo, in Puglia. (Image by HWL)

In the boot heel of southern Italy, pre-war Puglia was known for its desperate poverty. Post-war it’s better known for its polluting power stations. Nonetheless it is beautiful in a savage kind of way, and your chances of encountering shoals of Englishmen baffingly dressed in white suits and panama hats are fairly low. Touristic perks include lovely whitewashed villages (Ostuni, Martina Franca, UNESCO-heritage listed Alberobello) and the coast opening onto the Adriatic and the Ionian seas.

This post was written primarily for people looking for places to stay or visit during – or after – the street/graffiti art FAME Festival in Grottaglie so entries are listed according to their proximity to the town – however you can ignore the Grottaglie references and just pluck out the bits relevant to your own Puglian escapade. We got tired writing it up, so we’ve slacked off and popped some of the text into captions. Click onto the pics to connect to the relevant website. (Click here for accomodation etc in Grottaglie.)

Puglia is famous for its trulli houses which are round and cute with conical roofs – very Lord of the Rings. There are historic explanations for these mortar-less constructions involving cruel lords, high taxation and long-suffering peasantry, but we’re not sure if they’re true. Within a half-hour’s drive of Grottaglie you’ll find these two.

Martina Franca: Perhaps the interiors are not quite as artistic as the suggestion following, but it is inviting and has good reviews about the home & host. It sleeps four & has a lovely garden setting. It’s 19km to Grottaglie, 3km to Martina Franca.

Puglia Trullo: This two-bedroom trulli house has a minimum stay of one week – but there’s no charge for extra guests (it has a couple of inviting looking couch/day-beds). Ideal if you want to split the rent with friends (or recruit some) & use it as a base to explore the area once the festival is over. Looks kind of homey & would lend itself to dinner parties with lots of lovely local produce. It’s 22km to Grottaglie, 3km to Martina Franca, 20mins to the sea.

Alberobello: A cute UNESCO heritage listed village populated with trulli houses that have largely been converted into souvenir shops. The whole thing has a Disney-esque theme park vibe, but it’s still a rather pleasant day-trip. We had one of the best meals of Puglia here at Ristorante La Cantina (Vico Lippolis, 8). The entry way is slathered with restaurant guide stickers and now we know why. In a town where it would be all too easy to serve up over-priced codswallop to the tourist crowd, La Cantina takes immense pride in its produce. We loved their version of the local specialies such as fave a cicoria (chicory with mashed broad beans) and orricchiette served with walnuts and greens. Meals are served in a downstairs cavern-type situation with an open kitchen where we watched the chefs painstakingly placing grapes on a tart, alas we couldn’t wait until it was finished.

Cute as a goddamn retro button! Ristorante La Cantina & Vespa in Alberobello. (Image by HWL)

Casa Albergo Sant’ Antonio: If you want to sleep in Alberobello, a simple yet atmospheric option is a former monastery on the hill situated around a courtyard garden. The rooms have a spartan yet pleasing feel (terracotta flooring, wooden-shuttered windows, plain linens) appropriate to its former use hosting young priests on holiday. (Anyone for badminton?) The manager offers a warm and multi-lingual welcome.

Some of the most atmospheric places to stay in Puglia are converted masserias – fortified farmhouses – turned into guesthouses. Here’s a couple of  chic yet reasonably priced options that are around 45 minutes to two hours from Grottaglie.  Note: all photos are of standard double rooms.

Masseria Alchimia: whitewashed masseria gets a minimalist make-over with dollops of Eames & a whiff of Ronchamp. This is the standard room which has a little kitchenette for basic self-catering. Also features artwork by local & international artists. It's near the sea, about 3km to Fasano, 1hr to Grottaglie. Well priced!

Standard room at Studio 68: hipster hotel in Lecce. Puglia’s largest city, Lecce, has a beautiful old quarter & one of the area’s best accommodation options. Studio 68 offers boho-chic, roof-top terrace & a cool vibe. In keeping with the region, rates are fair starting at €80/100 with breakfast. They’ll also lend you a bike. (Hot dang!) Day-trippers to Lecce can head to Il Caffè di Liberrima (Corte dei Cicala) for coffee, apero, post-card writing etc.

Borgo San Marco: a 15th century masseria converted into a bohemian-friendly guest house complete with swimming pool. Great place to chill. Located about 50km from Grottaglie, just outside of Fasano. Bring your sketch-book.

Masseria Don Cirillo (as illustrated at top): Simple, rustic rooms in lovely gardens with a swimming pool. Breakfast is served on the terrace or in your room if you're feeling lazy. Located off the high-way near the coast 35min to Gallipoli, 2hrs to Grottaglie. The excellent restaurant http://www.MulinoDiAlcantara is near-by. (Image by HWL)

For sea-side jaunts head to Gallipoli, an atmospheric village on the Ionian sea. The water looks stunning though last time we were there, the beach front had been partly colonised by rusting scaffolding (suggesting it may be around for a while) and someone had helpfully piled some rubbish (televisions, mattresses etc) ito the middle of the beach. (As you do.) No, it wasn’t an art installation, more’s the pity. Moving right along, take in the fantastic views from one of the water-front cafes, but stick to drinks unless you are in the mood for banal food, dismal service and bus tours. For lunch and dinner we recommend, La Puritate, a traditional restaurant in the mid-range price category. Even if you don’t score the best table, the seafood antipasto is just divine and the service is excellent. Reservations recommended. (Via Sant’Elia 18. Tel: 0833/264205.)

Sea-side hi-jinx at Gallipoli (Image by HWL)

a Hasselblad in Småland, Sweden

14 Jul

Listening for that Hassleblad 'clunk' sound that signals the photo has been taken. (As documented by an i-phone!)

A while back we were taken up with the idea of buying a Hasselblad. These iconic cameras don’t come cheap and it took quite a bit of patient E-Bay-ing before we managed to snaffle one in our price range. The camera in question came from a retiring portrait photographer in Texas and turned up, lovingly wrapped, with a number of interesting accessories. After years of using digital cameras, looking through a filmic lens of this calibre was a revelation. Shortly after it arrived, we took it to Sweden. (Which funnily enough where the cameras were first made.)

Many months later, we finally had the prints developed! (OK, so we’re spear-heading a sort of ‘slow photography’ movement.) The light metre in the camera didn’t work and the film – which was an out-of-date gift from a photographer friend in Pau – was going to be a surprise in any case. (It was fun to open up an envelope of processed film and wonder what was inside.) Needless to say, there was a high casualty rate! That said, the enjoyment of taking the photographs and a couple of successes were good enough for us. At least, to begin with. Here’s three that turned out. For all their shortcomings I think they convey something of the atmosphere of a Småland lake on a summer afternoon. (You can see a review of where we stayed here.) But this summer, we’re definitely buying a light metre!

A bike rests against a birch, low-fi transport choice for an afternoon's swim. The best things in life are free... (Image by HWL)

*****

Still lake, soft afternoon light, a whisper of purple and a small birch. (Image by HWL)

*****

As the day drew on, swimmers disappeared indoors. I love the stillness of the lake though here you start to detect the shortcomings of old-style photography without a light metre! (Image by HWL)

Fogo-a-go-go: artist residency in Newfoundland

30 Jun

There’s something intrinsically exciting about lonely islands, vast and shifting frigid green water and waves that break violently onto a long and desolate beach. It sounds romantic. The kind of setting where you might Start Again, Write a Novel or undertake intricate Experiments in Sound Art. (All the while wearing thick cable-knit sweaters, whittling bits of drift wood and gazing mysteriously into the sea…those who can, will probably grow a beard).

small building, big impact: one of the artists studios on Fogo Island

Perhaps it was this exact same scenario that inspired the folk of Fogo Island, off the coast of Newfoundland in Canada, to launch an artist residency that combines the allure of the natural environment with some truly awesome architecture. The Long Studio, the first of six, with its extraordinary vista was designed by architect Todd Saunders. (Just quickly: Todd Saunders was born in Canada, and is actually a Newfoundland native but his architecture practise is based in Norway, where he has lived since 1997.) Saunders has won over the glossies and eco-movement alike with his warm but minimalist approach to architecture that frames the landscape while maximising drama – the Fogo Island studio is no exception. (Other eye-catching Saunder projects include  experiments with summer houses and this extraordinary highway look-out in Aurland, Norway.)

moody walks waiting for the shipping news...

The Fogo Island Arts Residency – which is open to applicants all over the world – is part of a geotourism project that seeks to reinvigorate the local economy through the arts and the creative economies. Fogo’s community is traditionally dependent on fishing, but as fish stocks are depleting and the young migrate to urban centres for better and more varied employment opportunities, communities like Fogo are seeking to reinvent themselves – or at least diversify – to give them a more dynamic future. The geotourism initiative is the brain-child of local millionaire Zita Cobb; one of its results, the importation of an Icelander, Elísabet Gunnarsdóttir, who set up and is now Director of the Fogo Island Arts Corporation that aims to ‘give visibility to Fogo Island and Change Islands through the arts’. The charging of architect Saunder’s to build such a photogenic project means the island may well enjoy something of a ‘Bilbao effect’, albeit on a more human scale.

DJ vs Fogo Islands: this could be you (Image by Fogo Projects on Blogspot)

Coming on the heels of the residency, Saunder’s is also building the Fogo Island Inn scheduled to open in 2012. According to Gunnarsdóttir local tourism has already increased since the studios opened, but this is expected to amp up significantly with a the opening of a five-star hotel (facilities include an art gallery and cinema) and the resulting publicity.

As a newcomer to the island, Gunnarsdóttir has been won over by the landscape and people of Fogo Island. “This experience has made me humble; it has made me look more intensely for the essence of things.  I have enjoyed three rounds of the islands’ various seasons and they are always different, you never know what to expect and the sunsets are the longest I have ever experienced.

The horizon is vast and the sky above your head is immense. Living among the local people and learning about their culture makes me understand that the more I look and listen the more there is to discover.  This has taught me to believe in our future, this has made me want to encourage people in other places to do something similar.  It has given me the freedom to take risks because it is a cause close to my heart.”

You are here: image from 4 Dimensional Mapping project curated by the Fogo Island Arts Corporation

If these poetic words don’t inspire you to pen an application, nothing will! Gunnarsdóttir suggests that would-be artist applicants check out previous projects, such as the Sans Façon four-dimensional mapping project that explored traditional foods and the spatial knowledge of local fisherman and their understanding of the sea’s (unseen) topography (see link above for pics & project summary). Another project bought Quebec designer Elaine Fortin of Bipède and local craftspeople together to explore and create furniture inspired by the Fogo environment, such as driftwood, see her blog here.

In terms of selecting artists, Gunnarsdóttir says, “We seek to work with artists who identify with our mission, artists who have the humility in them to kneel down and listen, who share our commitment and wish to contribute to our critical objectives through experimenting and exploring new ground.”

A Fogo Island artist-in-residence will work in the Saunder's designed studios and live in a cosy traditional house, such as this one.

To our mind this means artists with a proposal that will enrich everyone: the artist, but foremost, the island and its future in this world. Even if you’re more likely to visit as a tourist than an artist -in-residence, you should check out the blog of the ‘photographically inclined’ Montreal designer and previous participant Eric Demay. Photos taken during his residency got us all excited about the Fogo landscape. See  ‘Morning view of the bay from my bedroom window’ and Climbing up Brimstone Head, a photoessay of Fogo’s small mountain.

Residences are three to six months long and are open to visual artists, designers, curators and filmmakers. Artists are accomodated in (renovated) traditional homes and have access to exhibition spaces, such as de-consecrated churches. To date four studios have been built, final two will open by June 2012.   This year’s application deadline is (postmark) July 31, 2011. So, get cracking and apply here. Drift wood awaits you!

*****

Bridge Studio, Fogo Island

Construction pic: Bridge Studio in Deep Bay, on the West Coast of Fogo Island, Newfoundland. Embedded from Shorefast Foundation on Flickr.

Hello Sailor! Seaside digs in Honfleur, Normandy

19 May

Make yourself at home: breakfast at Cour Sainte-Catherine

Guest Review By Caroline Guilleminot

Where: Two hours from Paris, Honfleur is a sea-side town lashed by the spray of the Channel. For years, it was the ugly duckling of Normandy’s coastal resorts, to the point that the Michelin guide used to advise its readers not to waste any time here and head straight to Deauville.

Future explorer Samuel de Champlain didn’t even wait for the reviews, in 1608 he boarded a boat here and went on to found the city of Quebec on the other side of the Atlantic … (“I’m so out of here!”)

Today it attracts 3.5 million visitors a year in pursuit of its a salty seadog atmosphere and artistic history – Honfleur is one of the birthplaces of Impressionism. (Think: Monet, Sisely).  A stone’s throw from the bourgoise Deauville and the Proustian Cabourg*, Honfleur is loved by aficionados of the Normandy coast, and is particularly popular with Parisians and les Anglo-Saxons, who meander along the Vieux Bassin (Old Port).

(*Ed – FYI Proust disguised Cabourg as the town of ‘Balbec’ in In Search of Lost Time. Alas we never made it much past the madeleine bit so while we’re fond of sweet baked treats, we can’t supply any further insights.)

Wearing a winter coat: La Cour Sainte-Catherine, in Honfleur by snow.

The owners: Antoine and Liliane, both originally of Le Havre (the great trading port nearby), worked in Paris before returning to their native Normandy to open a guesthouse. Travellers at heart, and self-confessed fans of the United States, they introduced the concept of the ‘B&B’ to Honfleur. Antoine also runs an association of visual artists, particularly graffiti artists, whose works are displayed throughout the house.

The neighbourhood: Trail up the cobbled streets, where art galleries have clustered – for better and often for worse – and beyond the rattle and hum of the port. Here, in an old fishing neighbourhood is La Cour Sainte-Catherine, cloistered in a quiet spot behind thick stone walls.

The House: A former convent of Augustinian nuns dating from the 17th century that has been converted into contemporary guest rooms. At night, the guesthouse’s porch light glows like a beating heart; an invitation to enter the courtyard boasting a pretty Vicar’s garden.

Atlantic Dreams: Cour Sainte-Catherine (Image © Louis-Philippe Breydel)

The rooms: There are five bedrooms and four über-comfortable apartments. Features include: sea-grass flooring, antique furniture and my favourite kind of beds (firm, but with a soft spot for dreamers) and comfy linen. The decor: think slate gray and faded denim blue. Nuances that go with the ever changing sky…

What we loved: The art of receiving guests; the hosts really go out of their way for you….the cosy-chic atmosphere, nothing too over-the-top; the pile of DVDs in the living-room for rainy days… The hearty breakfast: home-made crepes, fresh crunchy bread, cereal, fresh fruit juices and endless tea and coffee.  It’s all served in the old cider press converted into a dining room with a fireplace that roars in winter. (Note: check out the vintage barber sets and antique fans for sale.)

Bienvenue book worms (Image © Louis-Philippe Breydel)

Perks: The owners have opened a ‘Coffee Shop’ in the adjoining house, it’s run by an Englishwoman who fell in love with the area. On the walls: stencils by French street artist Miss.Tic. On your plate: quiches, omelettes with eggs from the farm, daily specials and cheesecakes. (Miam!)

Tips: No need to bring your own books, Antoine and Liliane have divided their library among the guest rooms. Very good thrillers – Dennis Lehanne, James Ellroy, Fred Vargas – not to mention their ample collection of comic books, with classics including Lucky Luke, Asterix and the entire series of Bilal. For English-speakers, a book exchange is available.

Get in the Sainte-Catherine Court mood: Listen to Gnossienne also known as Flabby Preludes for a Dog by musician and composer Erik Satie.

Erik Satie, the composer from Honfleur who always carried an umbrella. (Image by Confetta on flickr)

Born in Honfleur in 1866, the eccentric Satie is cited as an influence on modern composers ranging from Claude Debussy and Francis Poulenc to John Cage. Among his foibles  was giving his compositions absurd names and providing unusual playing instructions to accompany the score: eg: “Play in the morning, on an empty stomach”. When Satie died it is rumoured his friends discovered his house was filled with umbrellas. Among other things he collaboarated with artists such as Picasso and Cocteau and ate only white foods.

The house where he was born has been turned into a quirky museum where, equipped with headphones, one can revisit works by the creator of the famous Gymnopédies.

Rates: Start at 80 €, including breakfast. For a top-notch guesthouse in this region, it’s a total bargain.

Contact: La Cour Sainte-Catherine

Caroline Guilleminot, travel writer

About Caroline Guilleminot: Caroline is a French travel editor and journalist with a speciality in eco-tourism (see her latest guide here) and a fondness for lemurs.

She is also an occasional children’s author (check out her cute book about a hungry wolf) and an expert on just about everything tasty and bobo in Paris.

She is a frequent visitor to  La Cour Sainte-Catherine, in Honfleur, which is one of her favourite B&Bs in France. You can also see her review of Kaguyara House in Kyoto for HWL.

Hei, Smaland!: a Swedish cabin

2 Oct

The traditional Swedish summer cottage is anti-bling bling, short on creature comforts, big on nature. Sweden has one of the lowest population densities in Europe, an extensive coastline and reasonable stretches of forest that they haven’t yet cut down to transform into Billy IKEA bookcases so nature and woodsy isolation can be found a few hours’ drive from so-called ‘civilisation’.

Cabin comes equipped with own Swedish flag

The area features still lakes and lovely greenery

Cheerful dining area

The summer cottage of course appears frequently in Stieg Larsson’s Millennium trilogy, and if you’re among the 20 people on earth and haven’t read it, I’d avoid reading the series in situ (ie: in an actual cabin) or risk giving yourself the willies. If you are unable to resist the temptation, then arm yourself with sweet Swedish pop such as the Cardigans, Abba or Lykke Li as a sort of aural antidote.

Whereas the French have concepts like joie de vivre and vague je ne sais quoi, the Swedes have ordning och reda – meaning tidiness and good order – and lagom (meaning ‘just right’, not too much or too little). Admittedly, this doesn’t sound like a great deal of fun, but the benefits of well-organised moderation are immediately apparent in certain contexts, such as Scandinavian furniture design.

The Mosshult cabin we hired this summer (pictured) combines both these concepts under the one roof – it has everything you could possibly need (if you feel like taking a bike ride, chopping wood, changing a light bulb, making pancakes or tying up little bits of string, the cottage can cater for it) but nothing unecessary or excessive (think plasma-screen).  It’s wonderfully cosy, cute and of course, incredibly clean. It can sleep four (one double bed, one set of child-sized bunks, both small but equipped with warm duvets and pretty garden views) but the cosy dimensions suggest that it would be more comfortable with two, especially if (or should I say ‘when’?) the weather turns foul. On closer inspection, almost everything (from the beds to the cutlery) seemed to be made by IKEA…spooky! Continue reading 

At Home with the Baroness…Phillip Island

2 Jun

‘Baroness Charlotte Von Zinnenburg: Multi Media Artist’. It was definitely one of the weirder business cards I’ve seen.

What happened was I’d seen an advertisement for ‘Studio Byron’ to rent on Phillip Island (Victoria, Australia) in an organic vegetable food shop. It was hard to know what the studio was going to be like, but the colour photocopying looked pretty good and I liked the intriguing sketches and the enigmatic hand-written phrases scattered across  the page: ‘Soar high above Cape Woolamai’.

Hello Kiki: shabby chic ‘Studio Byron’, Cape Woolamai, Phillip Island (Image by HWL)

I booked it for the weekend and after a two-hour drive from Melbourne we turned into the Baroness’s and followed a winding garden path lit by solar lights, the door was open and inside a pot belly stove was prepared and ready to go.

The studio was essentially one big room lit by skylights with a micro kitchen area and a dining table overlooking a small garden – by day it was filled with tiny brightly coloured birds plunging kamakazi style from tea-trees into a numerous bird baths. The room itself was decorated with various vintage & op shop finds – ethnic patterned throws, unusual masks, interesting rocks, a Man Ray poster… The quote ‘Art is the Daughter of Freedom’ was pasted prominently on the wall near the coat rack, a list of local beach walks and the ‘no excuses’ umbrella. There was also a lovely bathroom decorated with a multitude of candle sticks and erotic photographic collages with cryptic messages.

All of this was intriguing, but what really won me over were the books. Chandler’s The Big Sleep, dialogues with Marcel Duchamp, Andy Warhol’s Diary, the Alice B Toklas Cookbook…

Book worms are welcome at the Baroness (Image by HWL)

The Baroness helped me fall in love with the Surrealists, and I in turn, fell a little in love with the Baroness. And I wasn’t the only one. The studio was littered with tokens – books, pictures, notes – dedicated to the enigmatic Baroness and her marvellous studio built cheaply, but with love and creativity and a wild romantic spirit. Because, when I woke up I realised that the studio was, in fact, a very nicely converted, er, garden shed. And while the bed probably could have been better and the linens more salubrious it’s impossible to fault the atmosphere of the Baroness; the trip was only two hours from Melbourne, but the journey I took with my mind was beyond borders.

Booking: The Baroness seemed to advertise exclusively via flyers in carefully chosen venues in Fitzroy, Melbourne, and despite repeated searching she proved totally invisible on the internet … So, alas, even though she kick-started my quest to find the perfect hotel, I couldn’t share her details… until now. You can book the cottage by emailing the Baroness here: charlottezvz [at] mac [dot]com. (If Philip Island is just too far, I guess you’ll just have to find a multi-media artist-slash-Baroness of your own. Good luck! x)

cute little bathroom at the baroness (Image by HWL)

Beautiful walks near the Studio at Cape Woolamai. Photo by M239

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